By Charlotte Pedersen McClure
Words that one usually wouldn't use to describe hard, shiny metal seem to come
easily to those who stand among the pieces of bronze sculpture entitled "The
King Is Coming." There is strength in the feet of the large Masai warrior,
dignity in the body language of the Native American, tenderness in the angel's
look for the child in its arms, joy in the open happiness of the Aboriginal,
anticipation depicted in the Japanese girl's stride. It seems no one stands
among these sculptures unmoved.
Viewers are describing a large work to be unveiled during the opening
ceremonies of the fifty-seventh General Conference session in Toronto,
Ontario, Canada. The artist, Victor Issa, 45, has spent the past two years in
his Loveland, Colorado, studio creating the life-size sculptures of 10
individuals representing all the continents of the world. "Their excitement
at the approach of the King of kings, the event of all ages, is fully evident
on their radiant faces," says Issa of the bronze figures. "They were
created as an illustration of the Session's theme, Almost Home."
The work also includes a life-size angel carrying a child
to meet Jesus and a six-foot by five-foot bas-relief sculpture
showing Jesus and attendant angels.
Issa, a graduate of Union College in Lincoln, Nebraska, is the
son of a Seventh-day Adventist pastor from Lebanon. Several years ago
father and son had a discussion about sculpture as an art form, particularly
of religious figures. "Dad asked, `Have you considered what the Bible has
to say about images?'"
Victor Issa had carefully studied the Scriptures and the writings
of respected theologians. "I answered Dad by reminding him that the second
commandment says not to create graven images for worship. And when God gave
instructions to King David for the construction of the temple, He said that
12 oxen should be sculpted to hold up the laver for the cleansing of the priests
[see 1 Kings 7. God approved of sculpture as an art form, not for idolatry."
People from around the world can create their own word pictures
as they "experience" the display in the Exhibit Hall of the Toronto
Convention Center through Sabbath, July 8. "I feel like they are looking
at me," says Linda de Leon, associate treasurer of the General Conference
and the session manager, of her tour among the bronzes.
The commissioned sculptures--all 12 pieces--are scheduled to be permanently
installed in the lobby of the General Conference headquarters in Silver Spring,
Maryland, in late August. There visitors will see depicted in life-size
three dimensions one of the core beliefs of Seventh-day Adventists, that
Jesus will come again and escort those who believe in Him to heaven. They can
sense the anticipation, the joy, in that longed-for event.